Suchergebnisse

All to the centre and back to your places Ladies give right hand and star on your own

Community Dances Manual 1, 1949, English Folk Dance And Song Society (Cecil Sharp House, London) 13. The Circassian And The Big Circle

…- 8 : 1st cp dance down between 2nd cp, cast down behind 3rd cp, dance up and cast up behind 2nd cp. 9 -12 : 1st cp set advancing, take RH and dance 4 slip steps down to 3rd place,

…hn Playford]] and danced to this day. Music on button-accordion, flageolet and violin.

'''Tops:''' galop across and back. '''Tops:''' right hands across and left hands back.

*[[:Category:1SUDVideo|Dances from Sudetenland and old Austrian dances]] *[[:Category:1USA-Video|Dances from USA and Canada]]

…as after the last step in [[Ocho (forward with turn)]]. Then a correction and continue from [[Basic position crossed]].

And then I'll look around, And when I find Susanna,

Step-close-step, stamping, clapping and waltz swaying arms forward and looking slightly away from each other.

Step-close-step, stamping, clapping and waltz …t both partners dance forward with a step-close-step, swaying arms forward and looking slightly away from each other.

* Dancers, Musicians, researchers and all people interested in dance and dance related things …ropriate and what's not. Dancilla is a global platform for the topic dance and may include content that is not appropriate for all cultures, religions or

All to the centre and back to your places Ladies give right hand and star on your own

'''Bar 1 to 4:''' Dancing forward and swaying the arms forward and backward followed by a …rst the inner arms are swung forward, then backward, and once more forward and

Special chassays and waltz '''Bar 1 - 2:''' Starting with his left and her right foot, two chassays in ballroom direction in the

Boy and girl stand facing each other. Both their hands are taken left in right eith

walking steps, waltz steps and waltzing round …t ballroom direction and releasing outside hands. Inside hands stay joined and are moderately

…. In a small number of dances for one or two men, steps are performed near and across a pair of clay tobacco pipes laid across each other on the floor. …ter that it begins to be mentioned as something performed in the parishes. There is certainly no evidence that it is a pre-Christian ritual, as is often cla

…his left foot, lifts his right knee swaying his right foot across the left and slightly flexes his left knee. The swayed leg is not stretched; actually on The girls do the same vice versa (start with their right feet and sway their left legs

walking steps and two step polka (Zweischrittdreher) …ar 1 - 2:''' Beginning with outside feet partners walk forward three steps and sway inner arms

centre and boy standing with back towards centre under partner’s left arm and take right hand of partner.

…whose Sudenten-Germans and South-Moravians brought the dance to Austria and Germany in 1945 after they were forced to leave their home countries. '''Bar 1:''' Both step forward to the left, doing one step on the 1st beat and a tipclose on the 2nd, 3rd beat no step, but both turn slightly left, girl

hands joined right in right and left in left, arms crossed right over left walking steps and step close steps

She goes to sleep early and wakes up late She spins thick threads and weaves sparse cloths

There are two forms of this dance. Usually each form is danced four times alterna right and left in left in waist.

Step-close-steps, and walking steps. to the left and she turns her head, so that they can look at each other for a cursory glanc

two concentric circles, men inside facing partner, no hold, elbows bent and hands laid on body (not necessarily on hip) side tip, sashays, two step polka (Zweischrittdreher) and waltz

balance steps and waltz steps '''Bar 1:''' On 1st beat both partners step forward with outside feet and sway inner legs across on

'''Bar 17 – 20:''' Raised Arm Turn cw.: Partners turn to each other and also join free hands. Both their right arms are stretched in breast height, '''Bar 21 – 24:''' Raised Arm Turn ccw.: Now their left arms are stretched and right elbows bent, right to right side

'''Bar 1 - 2:''' Beginning with outside feet three walking steps forward and one tip forward with ball of inside feet. Finally both partners turn round '''Bar 3 - 4:''' Beginning with new outside feet three steps and one tip forward with new outside feet

…wards each other, normal armholding, arms firm, stiff holding in all turns and figures. The distance of heads and chest is close, but the closer the more important is the leaning against ea

…why the dance is called Henriks Mazurka. This video is danced by amateurs and not exactly how I meant it to be.

'''Bar 7 – 8:''' Partners face each other and dance round twice with 4 steps cw. This is a fairly racy dance. The change of moving forward and turning round implies

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Queenings and Quinces]] || || || || || ENG || England

balance hop steps and waltz steps on 2nd beat they sway inner legs (knees slightly bent) across and slightly hop with

Walking steps and waltz …ome of the dancers double the claps ( that means that they clap on the 2nd and 4th beat).

step close step and two step polka (Zweischrittdreher) and dance round twice with 4 steps. (“closed dance hold” = girl’s arms on

…left together right / step right together left). There is a light lifting and lowering of the heels while doing this step.

'''Bar 1 – 8:''' Pairs walk round circle and sing the melody of the music using any suitable syllables, '''Bar 9 – 16:''' Partners turn to each other and clap a three-beat (although the music plays four beats

two pairs build a coach by girls joining their right hands and boys joining their Schottisch steps (step-close-step hop: lrll or rlrr) and hop-steps

…ger. When women have a hand free, it should be placed on the hip. Both men and women step with the left foot first at the beginning of each sequence. === Pattern: Right-and-left grand (Forearm grasp) (16bars) ===

'''bar 1-8:''' Top couple gallop down the set, form an arch and go up over the line of ladies '''bat 9-16:''' Arch down over the line of men, and gallop back up to the top

…impulse to walk forward. As she walks forward he claps hands twice on 1st and 2nd beat of bar 15. '''Bar 16:''' On 1st beat of bar 16 he stamps once with right foot, and offers hands to the new partner coming up from behind at the same time, tur

There exist two forms, one in pairs and one in trios. Both were noted in the Mühlviertel …emia. The melody was known as a song probably since Maria Theresia’s times and even more widely spread than the dance.

…fting her right hand in your left. Navigate ahead as you turn to make sure there is enough space to complete the Boomerang. Follow: Step Left, Right, Left turning clockwise 180º, and spiraling outward to the limit of arm’s reach. While turning, hold left

Boy and girl stand opposite, boy with his back to the middle of the dancing-circle. …their outer feet, boy with left, girl with right foot, forward. In the 2nd and 3nd part of the measure both jump two-times with upright body on their inne

'''Bar 1:''' On 1st beat outside feet tip forward once and step back to position on 3rd beat, whereas '''Bar 3 - 4:''' Partners face each other and dance round one turn with 4 steps

Balance and swing corners (set to right and left and pivot-swing with ballroom hold). '''A2''' Pass back; balance and swing partners.

shoulders, his arms round her back), or ballroom hold, and dance polka front and right arm round partner’s waist. Girls put their left hand on

and tips with right foot across left foot whereas his partner does the same vic '''Bar 5 - 6:''' One chassay in ballroom direction and one back again, whereas the steps are used to

'''B1''' Top couple - 4 jumps and galop down to the bottom of the set …ound the room and steals someone else's ladies! These men then have to run and find some other free ladies!! It's often a complete mess but ends up being

This is a collection of questions and answers that users had on Dancilla by using the features. …ail address that you specified. Click on the link in the email to activate and use your account.

Make a Salida 2 directly after Salida 5 / [[Basic position crossed]] and continue according to salida movements. The man leads by moving body left…

Between Nottau and Rackling …s clockwise permanently in dancing-direction (Radeln), the boy follows her and clapps his hands.

Landlers always have an introduction of 4 bars and then begin in sets of 8 bars. …turn his partner underneath. He does so once, clockwise. In the fourth bar there is still time for a short reverence to each other.

* A Book of British Song for Home and School. London 1904; * [[Karpeles, Maud]]: Cecil Sharp. His Life and Work. London 1967;

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Once And A Half]] || || || || || ENG || England

close (sometimes slightly stamped) on 3rd beat unweighted (his right and her left foot). This dance is also known under the name “Neukatholisch” (New Catholic) and

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Under And Over]] || || || || || ENG || England

A: Bars 1-4: 1st man and 2nd woman right forearm swing. A: Bars 5-8: 2nd man and 1st woman ditto.

All the children laughed and played,

…sian Circle", conforme Community Dances Manual 1, 1949, English Folk Dance And Song Society (Cecil Sharp House, London) 13. The Circassian And The Big Circle

* Dances of England and Wales. Historical introduction, basic steps, instructions for four dances. * Cecil Sharp. His life and work. Chicago 1967;

…nning with inside feet, partners dance with three steps towards each other and take peasant hold (round-dance hold, which is a sort of ballroom hold, whe …unning steps should be done in a smooth way, almost gliding over the floor and not be done with any hops.

1-8 As a line of 6, take 8 steps down the hall, balance twice (4 kicks), and turn round 49-56 All take your partner in a prominade hold and double cast left, with the top couple forming an arch

…he former Dancilla-database. For reference purposes this list is displayed here. You can sort through the following, alphabetical links: …rm. If you have time, please do so by creating the wiki page for the dance and enter the dance instruction etc. A more detailed explanation of how this ca

=== Stop and go ===

| 6. || step to the right, and cross behind right foot || stays still

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Noughts and Crosses]] || || || || || SCO || Scotland

…en an der Library of Congress, den Zylinder heraus und ließ ihn im Rodgers and Hammerstein-Archiv für Tonaufnahmen, Lincoln Center, New York, reparieren ===Page was too big and slow===

backward and girl forward). With the 6th step a quarter turn to face each other. right foot, on 2nd beat with left foot and stops with weight on both feet on 3rd beat,

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Xs and Os]] || || || || || SCO || Scotland

…ft heel, left toe, left-right-left, - here the girls drop the inside hands and let the man turn them to face him. (2 bar) Right heel, right toe, right-left-right, - here the man moves forward, gently propelling the girls towards the man behind…

…t wurde dies 1933 in "Five Popular country Dances" der "English folk dance and song society", London ([https://www.webfeet.org/eceilidh/dances/circassian- …many as will"). Siehe Community Dances Manual 1, 1949, English Folk Dance And Song Society (Cecil Sharp House, London)

*Marcus Moskoff Songs and Dances from Bulgaria Vol. 1

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[I'm Over Here!]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Lords and Ladies]] || || || || || ENG || England

This dance was noted several times in Austria and Bavaria. There exist a lot of variations, like the one of the Ramsau, a place in Styria on

Menuet and Jig by Mr. Holt Camilla's Solo, from the ballet Atis and Camilla, to music of J.H. Roman

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Forward And Back]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[I Don't Live There Any More]] || || || || || ENG || England

…slight pressure straight/slight left on woman’s back to stop her movement and to give woman balance, [[Basic position crossed]]

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Zephyrs And Flora]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Jockey And Jenny]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[James And Gina's Strathspey]] || || || || || SCO || Scotland

allusively) and once on 3rd beat with their own hands in breast height.

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Coach And Horses]] || || || || || ENG || England

…1_PhD_thesis.pdf Emily F. Winerock: Reformation and Revelry: The Practices and Politics of Dancing in Early Modern England, c.1550-c.1640. Toronto. Dokto

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Rod's Right And Left]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Ease and Elegance]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Snakes And Ladders]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Red And All Red]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Gnat And Flea Combo 1]] || || || || || ENG || England

* Community Dances Manual, Herausg.: English Folk Dance and Song Society

…ml.org/images/web/MK/KAR-01-122.jpg [[Fröhlicher Kreis|Cercassian circle]] and Big Cercle, Seite 1]

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Tae Fife And Back]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Pass Through and Do-si-do]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Home And Away]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[An Officer And a Gentleman]] || || || || || SCO || Scotland

…nd Jacobean music, and includes one violin, two alto violas, a tenor viola and continuo. About the Bergamasca and it´s importance for (nearly) all later music, plese read the infos for our

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Oh Whistle And I'll Come Tay Ye, My Lad]] || || || || || ENG || England

| [https://videos.dancilla.com/m/v/int/div/mand/002/Clip2349.wmv Call and the answer] || 7,5 || 3:57 ||

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Fair And Softly]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Emily and Jerry Tie the Know]] || || || || || ENG || England

Haben wir kein Geld, haben's and're Leut; ei ja, ja so!

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Point Your Feet And Smile]] || || || || || SCO || Scotland

…ft heel, left toe, left-right-left, - here the Girls drop the inside hands and let the man turn them to face him. Right heel, right toe, right-left-right, - here the man moves forward, gently propelling the girls towards the man behind…

…ldance.stanford.edu/syllabi/BNP.htm Bohemian National Polka]: Choreography and description by Richard Powers © 1986, 2015 Richard Powers

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Tippecanoe and Tyler Too]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]].

…os.dancilla.com/m/v/int/pv/cb/002/Clip2129.wmv Sean Nos Reel step 'A shave and a hair cut'] || 1,3 || 0:39 || …ncilla.com/m/v/int/pv/cb/002/Clip2122.wmv Sean Nos Reel steps 'Cross-over' and 'Clap'] || 2,1 || 0:57 ||

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Do Si Out And In]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[V and J's Maggot]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[C And J's Jig]] || || || || || ENG || England

…cribed and edited by Alan Brown. Musica Britannica XXVIII. London: Staines and Bell Ltd., 1971. Nr.91, S.162-163. * John M. Ward: Apropos ''The British Broadside Ballad and its Music'', in: Journal of the American Musicological Society XX, 1967, S.

…e of the Fin de Siecle and a current Austrian Folkdance. In: John Playford and The English Dancing Master 1651: On Common Ground 3; Proceedings of the 3rd

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Bob And Bev's Reel]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Square Through And Box The Gnat Hash]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Separate And Dosido]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Waltz and Be Welcome]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[A and J's Reel]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Hail and Farewell]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Kate And Dod]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Dancing And The Road To Hell]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Movers and Shakers]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Nellie's Rights and Wrongs]] || || || || || SCO || Scotland

…auf „zwei, drei“ sanft abgebremst. Das Heben und Senken (oder auch ''Rise and Fall''), also das Absenken des Körpers durch Beugen der Knie (zum ersten S

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Gents And Corners]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Balance And Chain]] || || || || || ENG || England

…. McNair, 1941. Eine englische Quelle ist "Square Dances of America", Doug and Helen Kennedy, 1930er, sowie 1965 mit Tanzbeschreibung. Laut Lager wurde de

…nella_jimmy-shand-and-his-band-shand_gbia0307640a/PETRONELLA+-+JIMMY+SHAND+AND+HIS+BAND+-+Shand.flac hier] ein MP3 einer Schellackplatte von diesem Tanz… Music: Mara Shea on fiddle and Jim Stevenson-Mathews on piano.

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[S And M Reel]] || || || || || SCO || Scotland

…F/folkdancesandsinginggames1909.pdf Burchenal Elizabeth, 1909, Folk-dances and singing games], [[:Kategorie:USA-Volkstanz]]

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Laces And Graces]] || || || || || ENG || England

…), B-Seite; Kögler-Verlag Stuttgart, Lizenzpressung der English Folk Dance and Song Society (EFDSS).

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Knives and Forks]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[M and M's Fancy]] || || || || || SCO || Scotland

…), B-Seite; Kögler-Verlag Stuttgart, Lizenzpressung der English Folk Dance and Song Society (EFDSS)

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[The Alewife and her Barrel]] || || || || || SCO || Scotland

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Fair And Softly]] || || || || || ENG || England

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Pass Through and Do-si-do]] || || || || || ENG || England

| [https://videos.dancilla.com/m/v/int/div/mand/002/Clip2349.wmv Call and the answer] || 7,5 || 3:57 …os.dancilla.com/m/v/int/pv/cb/002/Clip2129.wmv Sean Nos Reel step 'A shave and a hair cut'] || 1,3 || 0:39

| [https://videos.dancilla.com/m/v/int/div/mand/002/Clip2349.wmv Call and the answer] || 7,5 || 3:57 …os.dancilla.com/m/v/int/pv/cb/002/Clip2129.wmv Sean Nos Reel step 'A shave and a hair cut'] || 1,3 || 0:39

For further instructions please consult the [[Help]] and the [[Community Guidelines]]. | [[Kate And Dod]] || || || || || SCO || Scotland

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